02:53
Disco is a genre of dance music containing elements of funk, soul, pop, and salsa. It achieved popularity during the mid-1970s to the early 1980s. Its initial audiences were club-goers from the gay, African American, Italian American,[1] Latino, and psychedelic communities in Philadelphia during the late 1960s and early 1970s. Disco can be seen as a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. It was popular with both men and women, from many different backgrounds.
The disco sound has soaring vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or 16th note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line. In most disco tracks, string sections, horns, electric piano, and electric rhythm guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers, particularly in the late 1970s.
Well-known 1970s disco performers included Donna Summer, the Bee Gees, Boney M, KC and the Sunshine Band, The Trammps, Gloria Gaynor and Chic. While performers and singers garnered much public attention, record producers working behind the scenes played an important role in developing the "disco sound". Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's rise in mainstream popularity. Disco was the last mass popular music movement that was driven by the baby boom generation. Disco was a worldwide phenomenon, but its popularity drastically declined in the United States in 1980, and disco was no longer popular in the U.S. by 1981. Disco Demolition Night, an anti-disco protest held in Chicago on 12 July 1979, is commonly thought of as a factor in disco's fast and drastic decline.
By the late 1970s most major U.S. cities had thriving disco club scenes, where DJs would mix a seamless sequence of dance records. Studio 54, a venue popular amongst celebrities, is a well-known example of a disco club. Popular dances included The Hustle, a sexually suggestive dance. Discotheque-goers often wore expensive, extravagant and sexy fashions. There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine. Disco clubs were also associated with promiscuity.
Disco was a key influence on the 1980s electronic dance music style called House. Disco has had several revivals, including in 2005 with Madonna's album Confessions on a Dance Floor, and again in 2013 and 2014, as disco-styled songs by artists like Daft Punk (with Pharrell Williams and Nile Rodgers), Justin Timberlake, Breakbot, and Bruno Mars–notably Mars' Uptown Funk–filled the pop charts in the UK and the US.
The disco sound has soaring vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or 16th note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line. In most disco tracks, string sections, horns, electric piano, and electric rhythm guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers, particularly in the late 1970s.
Well-known 1970s disco performers included Donna Summer, the Bee Gees, Boney M, KC and the Sunshine Band, The Trammps, Gloria Gaynor and Chic. While performers and singers garnered much public attention, record producers working behind the scenes played an important role in developing the "disco sound". Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's rise in mainstream popularity. Disco was the last mass popular music movement that was driven by the baby boom generation. Disco was a worldwide phenomenon, but its popularity drastically declined in the United States in 1980, and disco was no longer popular in the U.S. by 1981. Disco Demolition Night, an anti-disco protest held in Chicago on 12 July 1979, is commonly thought of as a factor in disco's fast and drastic decline.
By the late 1970s most major U.S. cities had thriving disco club scenes, where DJs would mix a seamless sequence of dance records. Studio 54, a venue popular amongst celebrities, is a well-known example of a disco club. Popular dances included The Hustle, a sexually suggestive dance. Discotheque-goers often wore expensive, extravagant and sexy fashions. There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine. Disco clubs were also associated with promiscuity.
Disco was a key influence on the 1980s electronic dance music style called House. Disco has had several revivals, including in 2005 with Madonna's album Confessions on a Dance Floor, and again in 2013 and 2014, as disco-styled songs by artists like Daft Punk (with Pharrell Williams and Nile Rodgers), Justin Timberlake, Breakbot, and Bruno Mars–notably Mars' Uptown Funk–filled the pop charts in the UK and the US.
0 comments:
Post a Comment